Czech Routes features the work of 21 painters, printmakers and sculptors, many of whom fled to Britain as racial and political refugees from National Socialism and marks the 80th anniversary of Hitler's invasion of Czechoslovakia on 15th March 1939. Also represented are works by subsequent generations of Czechoslovak artists including Irena Sedlecka, who fled her country's totalitarian Communist regime in the 1960s, as well as those who, between the 1970s and 1990s, have made the positive decision to immigrate to Britain to study and develop professionally. Czech Routes showcases work drawn primarily from the Ben Uri Collection alongside those from important private collections. Featured artists include: Franta Belsky, Jacob Bornfriend, Dorrit Epstein (aka Dekk), Frederick Feigl, Leo Haas, Walter Herz, Anita Mandl, Emil Orlik, Irena Sedlecka, and Walter Trier, in addition to contemporary multidisciplinary artists Tereza Buskova, Mila Furstova and Tereza Stehlikova.

Written by experienced nurse lecturers and a theatre nurse, Perioperative Practice highlights and explains the biological processes which can be disrupted by a major surgical procedure. Using the concept of homeostasis as a framework, the authors look at issues common to all surgical procedures such as the influence of anaesthesia on the nervous system or perioperative pain management. Individual chapters cover:
* the human body and principles of homeostasis * the surgical approach and endoscopic procedures * perioperative influences on body fluid homeostasis
* perioperative influences on immunological homeostasis and wound healing
* perioperative influences on cardiovascular homeostasis
* perioperative influences on respiratory homeostasis
* anaesthesia, stress and surgery
* pain and pain relief in the perioperative patient.
Generously illustrated in colour and black and white, the text features further learning activities and useful summaries of key points. It provides an important resource and supporting text for all nurses undertaking courses in theatre work or related areas or already working in such areas.

Written by experienced nurse lecturers and a theatre nurse, Perioperative Practice highlights and explains the biological processes which can be disrupted by a major surgical procedure. Using the concept of homeostasis as a framework, the authors look at issues common to all surgical procedures such as the influence of anaesthesia on the nervous system or perioperative pain management. Individual chapters cover:
* the human body and principles of homeostasis * the surgical approach and endoscopic procedures * perioperative influences on body fluid homeostasis
* perioperative influences on immunological homeostasis and wound healing
* perioperative influences on cardiovascular homeostasis
* perioperative influences on respiratory homeostasis
* anaesthesia, stress and surgery
* pain and pain relief in the perioperative patient.
Generously illustrated in colour and black and white, the text features further learning activities and useful summaries of key points. It provides an important resource and supporting text for all nurses undertaking courses in theatre work or related areas or already working in such areas.

Becoming Gustav Metzger, produced in association with The Gustav Metzger Foundation, is the first publication to examine the little-known formative years of refugee artist and activist Gustav Metzger (Nuremberg, Germany, 1926-London, England, 2017). Generously supported by the Paul Mellon Centre for Studies in British Art and the Association for Art History, Becoming Gustav Metzger includes original texts by Stephen Bann CBE (Emeritus Professor, University of Bristol), Andrew Wilson (Senior Curator Modern & Contemporary British Art, and Archives at Tate Britain), Dr. Elizabeth Fisher (Leverhulme Research Fellow, Northumbria University), Mathieu Copeland (independent curator and author of Gustav Metzger: Writings 1953-2016), and the curators. Fully illustrated, it also includes colour reproductions of rarely seen drawings and paintings from this crucial early period, as well as early abstract works on board and cardboard, and a kodak box. Together they chart Metzger's artistic journey from figuration to abstraction prior to the development of his later radical auto-destructive practice.